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Karen Page Marvel Cinematic Universe Wiki. Alias(es)"K" Isabelle Schaffer"A hero is not a god or an idea. A hero lives here on the street. Among us. With us. Always here but rarely recognized. Look in the mirror and see yourself for what you truly are. You're a New Yorker.
You're a hero. This is your Hell's Kitchen. Welcome home."―Karen Page[src]Karen Page was the secretary for Nelson and Murdock and, along with Foggy Nelson, Matt Murdock and Ben Urich, was instrumental in the effort to bring Wilson Fisk to justice. While working for Nelson and Murdock, Page came into contact with Frank Castle, who she helped defend in court.
Karen Page was the secretary for Nelson and Murdock and, along with Foggy Nelson, Matt Murdock. Fired after just 20 months at the helm of Epic and tagged with destroying the label, one source tells THR that job "was a no-win situation" for the career songwriter. The Hollywood Reporter is your source for breaking news about Hollywood and entertainment, including movies, TV, reviews and industry blogs. This is a specific corner of the website dedicated to the discussion of the current situation with Harry Knowles and AICN. The Man Who Saved Movies.
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When Nelson and Murdock fell apart, Page joined the New York Bulletin with the intention of writing Castle's true story, however during her investigation she was kidnapped by Ray Schoonover and saved by Castle. Later the Hand also kidnapped Page and she was rescued by Daredevil before Murdock revealed to her that he was Daredevil. Biography. Early Life. Losing her Brother. Karen Page was born in Fagan Corners, Vermont[1], the daughter of Paxton and Penelope Page and the older sister of Kevin Page.
Not much is known about Page's past, Kevin eventually died in a mysterious car accident when he was 1. Page moved from Vermont to work in New York City. Meeting Nelson and Murdock. Falsely Accused of Murder"I didn't do this! I didn't do this!"―Karen Page[src]Karen Page worked as a secretary in Union Allied Construction.
One day she was emailed a file which contained damning evidence of Union Allied's money laundering schemes. Seeking to tell someone about what she had discovered, Page asked Daniel Fisher, one of her co- workers from the legal department, to join her for drinks at a nearby bar, believing him to be an overall good and nice man whom she could trust.
Page beside the corpse of Daniel Fisher. The two shared a couple of drinks but before long Page became dizzy and lost sense of where he was during the night. The next thing she knew, she awakened to find herself in her apartment covered in Fisher's blood, staring at his corpse in front of her as she held bloody knife in her hand. The police kicked in her apartment door and arrested her as she pleaded that she did not commit the crime.[2]Good Samaritan Lawyers. Page meets Foggy Nelson and Matt Murdock"I am telling you we met at the bar, we had a few drinks, and I don't know what happened after that. It wasn't me, please, please you have to believe me. I didn't kill him.""I believe you, Miss Page."―Karen Page and Matt Murdock[src]Page was taken to prison where she was greeted by Foggy Nelson and Matt Murdock of the new law firm Nelson and Murdock, who had been informed of her case by Officer Brett Mahoney.
They introduced themselves and explained their intentions to assist her; Page became suspicious of their experience and they confessed that they had only officially been operating as their own law firm for seven hours and she would be their first client. When she confessed that she had no money to pay them, Nelson attempted to leave the case, but Murdock convinced him to stay. She told them her side of the story and Murdock told her that he believed her story and they agreed to take on the case. Page is almost murdered by Clyde Farnum. Later that day, Page slept in her cell as Officer Clyde Farnum sneaked up behind her and attempted to murder her by wrapping a bed sheet around her throat, apologizing to her as he choked her. Refusing to die, Page was able to free herself by scratching Farnum's eyes and knocking him back; she then used her only chance to scream at the top of her voice until help arrived.
In a direct response to the assassination attempt and the lack of an official accusation against her, Foggy Nelson and Matt Murdock were able to get Page released from prison for her own safety. Page tells her story to Nelson and Murdock. Page was released to the custody of Nelson and Murdock and taken back to their office. Once there and convinced that she was safe with them, Page told the lawyers how she obtained the financial records and her confrontation with her boss, although she confessed that she had not considered the consequences of her actions at the time. Page broke down crying as she began speaking about the death of Daniel Fisher, as she felt personally responsible for the death of such a kind man. Fearing for her life, Page requested to return to her apartment, but Foggy Nelson convinced her that it was a bad idea and Matt Murdock offered his apartment for her to spend the night. Page is questioned by Matt Murdock.
At Matt Murdock's Apartment, Page was given a change of clothes, as hers had gotten wet in a rain storm, and a beverage. She learned that Murdock had been blind since he was nine and missed his sight. Continuing their earlier questions, Murdock asked her why she was not killed in her apartment, as the people going after her would have no reason to keep her alive unless she had something of value; in an attempt to keep Nelson and Murdock safe from harm, she lied, saying that she did not have a copy of the financial report. Murdock seemingly accepted this and they went to bed shortly afterwards.[2]Meeting the Man in Black. Page meets the Man in the Mask"Who?
What the hell?""I'll get this into the right hands.""No.. You can't, you can't take it to the police.
You can't trust anyone!"―Karen Page and Daredevil[src]Believing that Matt Murdock was asleep, Page left to return to her own residence. Inside a vent in her bathroom, Page grabbed the flashdrive holding the copy of the report, but she was ambushed by a thug who rammed her into a wall. After procuring the flashdrive, he approached the unconscious Page to kill her with his knife when a masked man began a fight with him. Watch Amazing Ocean 3D Online Hitfix.
Page watched as the fight became so intense that the two fell from her window to the street. Ultimately, the masked man won the fight and collected the flashdrive, promising to take it to the proper hands; Page told him not to trust anyone, so the masked man said that he would release the information to everyone. The next morning, there was a story in the New York Bulletin.[2]Employed by Nelson and Murdock. Page is employed by Nelson and Murdock.
With the truth exposed and Page cleared of all charges against her, she joined Matt Murdock and Foggy Nelson to celebrate their victory. Page cooked them both a meal to thank them for their assistance, noting that it was Murdock believing in her story that gave her the strength to keep fighting. Noting that since Union Allied Construction had now been taken down because of their criminal activities she was out of a job, Page requested work at Nelson and Murdock, promising them that she would work for free. She was unsurprisingly hired without any questions.[2]Afraid of the City. Page goes drinking with Foggy Nelson.
Days later, Page stayed late at Nelson and Murdock unpacking when she heard Foggy Nelson singing horribly. She let him know that she was there so he stopped. They decided to go out for drinks.
Arriving at Josie's Bar and having a drink, Page was convinced to discuss why she did not want to go home; for days, she has attempted to get Daniel Fisher's blood out her carpet and cannot. She said that lately, all she can see are the threats and dangers around her.
Nelson showed her that though the patrons in Josie's Bar looked tough, at heart, they were good people trying to relax. Page and Foggy Nelson get drunk. As the night wore on, Foggy Nelson told Page about his past as an awkward teenager before they drunkenly went to Matt Murdock's Apartment to get him to accompany them in their fun, waking one of Murdock's neighbors.
They left when they realized that he was not home. Tenure Full Movie Part 1. As they continued to explore the city throughout the night, Nelson joked that Page had made him terrified of the city and he never wished to return home.
Media Rights Capital'Ozark' Was Most Popular Streaming Show This Summer, According To New Audience Metric. By Michael Schneider. A few months ago, a Netflix exec mused to Indie. Wire that he was actually surprised that the streaming service’s viewership data hadn’t leaked out.
Plenty of Netflix insiders know exactly who’s watching what, and when. Yet, the streaming giant has managed to keep its ratings under lock and key. Accurate data remains a mystery to even top- level Hollywood execs outside of the Netflix bubble. That’s starting to change, as more services chip away at the facade of Netflix ratings.
Parrot Analytics has made headlines recently with its proprietary “Demand Expressions” metric, which looks at a variety of factors in determining a digital program’s popularity. And according to a new study revealed exclusively to Indie. Wire, the Jason Bateman drama “Ozark” led the pack among all streaming shows over the past 9. Demand Expressions” measures audience demand for a title — including streaming, social media, blogging, file sharing, blogging, comments and other sources. The measurement is weighed by importance, which means a stream or download take precedence. As for the Parrot Analytics data, the company shared the top 1.
United States over the past 9. Netflix easily dominates the roster. The sleeper hit “Ozark” actually topped the charts, while CBS All Access’ “Star Trek: Discovery” was No.
Netflix’s “Stranger Things,” which remains popular even before the launch of Season 2. Hulu makes an appearance with Emmy winner “The Handmaid’s Tale,” but as has been discussed recently about the lack of buzz surrounding Amazon Prime’s programming, none of that service’s shows make the top 1. Visit the article at Indiewire.
Ozark’ Renewed for Season 2. By Joe Otterson“Ozark” has been renewed for Season 2 at Netflix, Variety has learned. Like the first, the second season will consist of 1. The series follows financial planner Marty (Jason Bateman) and his wife Wendy Byrde (Laura Linney). Without warning, Marty relocates the family from the suburbs of Chicago to a summer resort community in the Missouri Ozarks after a money laundering scheme puts him in the crosshairs of a Mexican drug lord.
Bateman directed multiple episodes in addition to serving as an executive producer. Chris Mundy executive produced and wrote for the series. Bill Dubuque and Mark Williams created the series and also executive produce. The series is produced by Bateman’s Aggregate Films in association with Media Rights Capital for Netflix. The series has received mostly positive reviews, with Variety‘s Sonia Saraiya writing: “ The taut thriller veers close toward storytelling pitfalls that other prestige dramas have made — strippers, money laundering, infidelity, a sex tape, bags of cash, barrels of acid — but deftly avoids falling into the bleak soup of bloated streaming dramas about a tortured male soul.
Ozark’ so carefully guides the audience through the story that it is one of the most compulsively watchable debuts of the year — a crime story that is part- thriller, part- caper, and endlessly surprising.”Netflix also recently renewed freshman comedy “GLOW,” which is a fictional account of a real all- female wrestling TV show from the 1. That renewal came on the heels of the cancellation of the drama series “Gypsy” starring Naomi Watts. Read the full article of Variety. Baby Driver Zooming Past $1. M At Domestic B. O. By Anythony D'Alessandro. The Edgar Wright- directed action movie ballet will break the $1.
M threshold by tomorrow according to rival estimates. Baby Driver, made by Sony/Tri. Star, Working Title and Media Rights Capital to the tune of a net production cost of $3.
M, has been a breath of fresh air at a summer box office given its originality amid a litter of Nth franchise sequels, many of which have fallen short of providing any gas at the B. O. (take your pick: Alien: Covenant, The Mummy, Transformers: The Last Knight, etc.). Baby Driver is a clear example of Sony Pictures motion pictures group chairman Tom Rothman’s mandate at the studio: Make ambitious, original fare at a reasonable price so that there’s plenty of upside. In addition, Baby Driver is a big win for Hannah Minghella’s Tri. Star Pictures. Much like Jordan Peele’s Get Out before it, what Baby Driver proves in this streaming age, is that audiences will drive to the multiplex to watch riveting, original, lower budget fare.
Just because a film is considered niche and risky, doesn’t necessarily mean it should just be destined to home audiences. On the opposite end of the spectrum, we have another brilliant summer film like Netflix’s $5. M- plus budgeted Okja, which despite its grand launch at the Cannes Film Festival, isn’t continuing to generate great buzz because it’s been shackled to the small screen. The way that Wright coordinates car chase sequences with punctuating sound and the rhythm of hard rock songs like Queen’s “Brighton Rock” or Jon Spencer Blues Explosion’s “Bell Bottoms” is something to behold on the big screen, not a 7. K television. Top this off with Ansel Elgort and Lily James’ smoldering chemistry, and you have a movie.
Sony has been great about putting its below the line contenders out there during awards season, and Baby Driver should be in the mix. Currently, Baby Driver is playing at 8. M this weekend (and if it doesn’t clear $1. M by tomorrow, then it will on Monday). In the pic’s seven weekend run, Baby Driver has averaged a - 3. Sony is currently planning to take the movie wide again during the weekend of Aug.
Worldwide, Baby Driver stands at $1. M. Sony started the engines on this movie back at SXSW with a marketing/publicity campaign led by Danielle Misher, EVP of Tri. Star marketing. Baby Driver earned great reviews and slotted a 1. Rotten Tomatoes score before opening, and leveraged that in their trailers. Damon Wolf, the head of creative advertising for Tri.
Star, led the charge on creating the high octane, retro- style promos for the film with colorful vintage design posters and award- winning million- plus- view trailers (Best Action Trailer at 2. Golden Trailer Awards). From the onset, Baby Driver has been Wright’s highest grossing title of his career both on an opening and running total basis. He hatched the feature from an idea he formulated years ago. Originally, the industry saw a $2.
M take for Baby Driver in its five- day opening, but the pic trumped expectations during an Independence Day stretch with $2. M, and $3. 9M in its first week of release. According to Com. Watch Santa Paws 2: The Santa Pups HIGH Quality Definitons. Score/Screen Engine, Baby Driver, rated R, drew mostly males at 5.
Read Full Article At Deadline. Breaking Bad Fans Have Found Their New Fix In Jason Bateman–Starrer Ozark.
Rotten Tomatoes By Andrea Reiher August 4, 2. Have you heard about Ozark? It’s Netflix’s latest original drama, and after a somewhat quiet debut on July 2. The series, which currently has a 6. Tomatometer, stars Jason Bateman as Marty, a financial advisor who has been laundering money for a drug kingpin.
When his partner is caught cheating the business, Marty uproots his family to move the operation to the scenic Ozark Mountain region of Missouri, where they struggle to fit into this brave new world. Fans are comparing it to movies like Pulp Fiction and No Country for Old Men, but the biggest comparison it’s getting on social media is to the Bryan Cranston Emmy- winner Breaking Bad. But the show is more than standing on its own, with fans praising the writing and direction. Bateman actually directed four of the 1. Fans are on board for this darker, twistier Bateman, who in recent years has mostly been known for his work on Arrested Development — and some fans enjoy imagining that Marty is really just bizarro Michael Bluth. Fans are expecting Bateman and the show to get at least one (if not several) award nominations for its writing, acting, and directing.