Contrails, Dark Lines, Black Beams, & “Chemtrails” – Contrail Science. People who think persistent contrails indicate some kind of conspiracy (which they call “chemtrails”), sometime point to the “dark lines” that sometimes accompany contrails. Since they can’t immediately think of why these dark lines should be there, they assume it’s part of the conspiracy. Either there is some kind of “dark chemtrail”, or the plane is projecting a dark beam of some kind of negative energy, or it is following a dark beam. In reality these “dark lines” or “black beams” are simply various kinds of shadows. There are actually three main kinds of dark line related to contrails.

Watch Shadows In The Sun Streaming Through The Clouds

Math Warning] It’s a bit difficult to explain these edge shadows (also called volumetric shadows). You can think of them in terms of three dimensional geometry. Watch It Live Online. Watch The Football Factory Online (2017). If you cannot view this week's partial solar eclipse because of cloudy skies or you're not in a region where the eclipse is.

Watch Shadows In The Sun Streaming Through Water

Self Shadow. Where the contrail itself is in shadow and appears dark. This can happen a number of ways. The sun can be low on the horizon and the contrail can be shadowed by a mountain or a thick cloud bank (such as in this video). In rare cases the plane can be flying directly towards the sun, and the contrail will shadow itself.

When self- shadowing, the leading edge of the contrail will be brightly lit, with a dark area behind it, such as parts of the contrail above. Parallel Shadow. The contrail is simply casting a shadow on a layer of cloud beneath it. The cloud layer is thin enough so you can see through it, but it’s visible, so you can see the shadow on it.

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Theoretically you could cast a shadow on a cloud layer above or behind a contrail, if the sun were low enough, but this would be rather difficult to observe. Most “dark lines” are of this type. There’s an excellent explanation of these shadows over at Atmospheric Optics. There’s nothing new about such shadows. Here’s some from 1.

One interesting thing about these shadows is that it frequently looks like the contrail is below the clouds, when it’s actually above them. You can see this illusion in the photo above. The reason this happens is that the white of the thin layer of clouds and the contrail are additively transparent, so they look identical, regardless of which one is in front of the other.

The illusion happens because the brain interprets the bluer regions of the cloud as being darker regions in the same plane as the cloud, when they are actually holes in the cloud. The contrail will seem solid white when viewed through the holes, or when it is in front of the holes. Edge Shadow (Volumetric Shadow)The most interesting type of contrail dark line is when the contrail is lined up with the sun. This produces a slice of shadow through the atmosphere that looks like a dark line when viewed edge- on. It is quite difficult to visualize what is going on since you have to think in three dimensions, and we are accustomed to thinking of shadows as being flat, since they are usually cast on surfaces. You are not seeing a thin dark shadow here, you are actually seeing a huge slab of very faint shadow, but it’s viewed from looking along the edge.

Imagine you have a thick sheet of glass. Viewed head on, it’s transparent, but if you look at it from the edge, it seems a lot darker. The above image is an excellent demonstrating of the fleeting nature of these edge shadows. Two photos taken just a few minutes apart, int the first the camera is more fully in line with the plane of the contrail. In the second the contrail (or the photographer) has moved, and we are viewing the edge shadows from a slight angle which reveals they are made up of two or three segments, caused either by the plane turning slightly, or variations in upper level winds bending the contrail.

Most photos of these odd shadows don’t include the sun. But when they do, you’ll see that the sun is lined up with the contrail (or part of it)The photo on the right is a rather dramatic illustration of this effect.

The “dark line” here is caused by the slab of shadow cast by the portion of the upper part of the exhaust trail of the space shuttle Atlantis that is lined up roughly in a flat plane with the camera and the sun. The sun has just set, so the rays of the sun are almost parallel to the ground, so the upper portion of the plume is casting a long tall shadow through the air towards the horizon. This is viewed edge on from below, and so looks like a dark line.

Since it’s a full moon, the sun is directly opposite the moon, so the “shadow” looks like it’s pointing at the moon (if you look closely, you’ll see it continues past the moon). This is particularly dramatic because of the combination of the setting sun and a vertical exhaust trail. Watch The Amityville Horror Mediafire on this page. With normal contrails, the sun has to be higher in the sky to cast the slab of shadow downwards. The image above is another great illustration.

There are multiple contrails, but only the one that intersects the sun creates the edge shadow. Photo from “Col” on usenet uk. UPDATE] This video I shot in my kitchen gives an excellent illustration of these types of shadow.[Math Warning] It’s a bit difficult to explain these edge shadows (also called volumetric shadows). You can think of them in terms of three dimensional geometry. The contrail is a line in three dimensional space. The camera (or observer) is a point in three dimensional space.

The sun is essentially infinitely far away, and so is only really relevant as a directional vector (a vector in three dimensions, where the magnitude is unimportant ). These three quantities are what you need to consider to understand the condition for the edge shadow. Given the line (contrail) and direction vector (sun) we can form a plane that contains the line, and is parallel to the direction vector. This plane cuts through the contrail, the atmosphere, and intersects the ground.

Projecting two end points of the contrail along the plane in the direction of the sun’s vector, we get essentially a two dimensional parallelepiped (although the far edge is not very well defined). This parallelepiped is quite thin (it’s as thick as the contrail), so when viewed from the side, you won’t see much. But when the viewer is in the plane of the parallelepiped – specifically anywhere along the line on the ground formed by the intersection with the plane formed by the contrail and the sun – then they will be viewing the parallelepiped from edge- on, and so it will seem to be a dark line that intersects the contrail. Since only the portion of the contrail that is roughly within this plane is contributing to the shadow, there may be other potions of the contrail that are not in the the plane, and hence do not seem to be casting a shadow. In fact they are, but since it is in a different plane, they are not visible unless the viewer was to move to a new position. This can be seen in the two photos above. In one it looks as if the plane was following a dark line, and then veered off.

In the Shuttle photo, the highest portion of the trail, although brightly illuminated, is not contributing to the visible shadow. However a viewer in another location may have been able to see a different edge shadow trailing from this upper portion.[Update] I found a useful video of an contrail edge shadow (or “volumetric” shadow, described above): http: //www. E4. Gb. 90. Kk. It’s all in one shot, which is great, as you can see how the various misinterpretations can arise. It starts out with a shot of a black line across the sky, with no visible reason for it being there. The sun is obscure by the house on the right.

The cameraman then zooms in in the dark line, and we see a contrail being formed along it. It looks like the plane is following the dark line, or somehow projecting a beam of dark energy in front of it! Then the cameraman walks around the house, and we see the source of the dark line – the contrail is EXACTLY lined up with the setting sun, and is simply casting a volumetric shadow which the cameraman is lined up with. The shadow is accented as the suns rays are nearly parallel to the contrail. Here I’ve stitched some frames together so you can see this.