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Movies : : Lists : : hbo : : Page 1 : : Paste. HBO’s lineup continues to refresh with as many great films added as those that are expiring—including several on this list, like The Assassination of Jesse James by the Coward Robert Ford and American Psycho, gone at the end of September.

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So, to help make sure you get the most out of your subscription this month, we’ve chosen our 5. HBO in October, ranging from Oscar- buzzed dramas to classic comedies and insightful documentaries, from new classic comedies like Popstar to underseen gems like Sully and Jackie and Loving, two of which were in our list of favorite movies from 2. We’d be remiss in October to not recommend some horror staples as well, like The Conjuring, The Blair Witch Project and The Purge: Election Year. No matter your tastes, there’s a great movie waiting for you on HBO GO or HBO Now. You can also check out our guides, some more updated than others, to the best movies on other platforms like Netflix, Amazon Prime, Hulu, On Demand, and The Best Movies in Theaters.

Visit the Paste Movie Guides for all our recommendations. Here are the 5. 0 best movies on HBO in October 2. On Deadly Ground Year: 1.

Director: Steven Seagal. Deep in On Deadly Ground, Stone (R. Lee Ermey), panicked, describes the character Forrest Taft, played by Steven Seagal in this movie directed by Steven Seagal: “My guy in D. C. tells me that we are not dealing with a student here, we’re dealing with the Professor. Any time the military has an operation that can’t fail, they call this guy in to train the troops, OK?

He’s the kind of guy that would drink a gallon of gasoline so he could piss in your campfire! Watch The Maggie Hindi Full Movie. You could drop this guy off at the Arctic Circle wearing a pair of bikini underwear, without his toothbrush, and tomorrow afternoon he’s going to show up at your pool side with a million dollar smile and fist full of pesos. This guy’s a professional, you got me?” Before that, archvillain businessman Jennings (Michael Caine) tells Mac.

Gruder (popular character actor John C. Mc. Kinley) exactly why they should take Forrest Taft very seriously: “You wanna know who he is? Try this: delve down into the deepest bowels of your soul. Try to imagine the ultimate fucking nightmare. And that won’t come close to this son of a bitch when he gets pissed.” In On Deadly Ground, Steven Seagal spends his first big budget directorial debut on making respected Hollywood stalwarts and one cinematic icon talk about how great Steven Seagal is.

Impossibly, inhumanly, erotically, awesomely great: The purest distillation of Steven Seagal in the early ’9. Alaskan people to give Steven Seagal the platform of which he’s always dreamed. On Deadly Ground is as graceless as Steven Seagal running through a burning industrial wasteland, and twice as charming, climaxing with a Steven- Seagal- narrated clip infomercial on why big business and government corruption are fucked up, delivered to a room full of politicians and the native communities who’ve appointed Steven Seagal—er, Forrest Taft—as their sacred protector. Though in 2. 01. 7 Steven Seagal has clearly grown into the Spongebob- shaped body he’s always meant to inhabit, for such a bloated ego, the Steven Seagal of 1. Dom Sinacola. 49.

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The Purge: Election Year Year: 2. Director: James De. Monaco. The horror film America needs right now, or perhaps the horror film it deserves.

There’s nothing elegant about De. Monaco’s third chapter in the franchise he began back in 2. The Purge, but that’s OK: Elegance is overrated, and if The Purge: Election Year is a broad, sloppy film that hits with all the subtlety of a hammer to the crotch, then in 2. The movie doesn’t bother to hide its politics or disguise its social inclinations, taking equally to task America’s culture of narcissism, its ongoing struggle to relieve itself of white supremacy’s grasp, its obsession with “might makes right” ideologies, and its ever- increasing political instability and polarization.

If shitty kids wearing shittier homemade masks aren’t busy busting into your store to steal your candy and kill you, then Murder Tourists, assholes from around the globe who fly to the U. S. of A. to partake in legalized murder, are hunting you down in packs to make a point about America’s patriotic disaster, and then also kill you. Feels about right.

But the scariest detail of The Purge: Election Year is its coda, in which we realize that once the genie is out of its bottle, it can’t be put back inside, whether the genie is a system that permits nationwide carnage on an annual basis or, speaking to our sad reality, a president- elect who doesn’t think he should have to waste his time on intelligence briefings. Andy Crump. 48. Girl With a Pearl Earring Year: 2.

Director: Peter Webber. There’s something to be said for a film that’s most sensual moments involve the piercing of an ear and the removal of a bonnet—just a bonnet—from the head of a woman who always dresses in layers. Based on a novel, Girl With A Pearl Earring is the first feature by Peter Webber, and even if it doesn’t attempt to understand painter Johannes Vermeer, it does show a mastery of its own visual art.

Every frame looks stunning, as if Webber and his crew surrounded themselves with Vermeer’s paintings and adopted his palette for the glowing yellow faces of the people dressed for tea and the deep blue suits of the men on the sidewalk, both of which subtly echo the dialogue. Scarlett Johansson plays Griet, a servant girl in Vermeer’s household and eventually the subject of the painting that shares the movie’s title. At one point, Griet is quietly setting the dinner table. The frame around her expands to include Vermeer, played by Colin Firth, who is watching her work. Then it expands again to show Vermeer’s mother- in- law watching Vermeer watching Griet, with his wife situated in the middle. This scene may not say much about Vermeer as an artist and it may not be very subtle, but it’s a visually graceful summary of the movie’s dramatic triangle.

As a drama about unrequited romance, the film works well enough. The most tensely sensual scenes are the ones with the least potential for sex, and although Griet has the eye of every man in the story, the movie refuses to entertain a torrid affair between Vermeer and Griet, preferring instead to leave her as an enigma.

This is commendable in a sense but also somewhat contradictory: the movie is trying to explain away the mystery of Vermeer’s painting, but it still hopes to claim some of that mystery for its invented characters. Robert Davis. 47. Diana, Our Mother: Her Life and Legacy Year: 2. Director: Ashley Gething.

This HBO original documentary falls in the “pathologically respectful” category, but it at least has a focus that makes clear that it understands its own purpose. It’s Diana’s life story as recalled by her sons, Prince William and Prince Harry. While not especially substantive or deep, it is pleasantly intimate and gives viewers a legitimate peek at a point of view they probably haven’t had access to until now, as Diana’s sons have not spoken much about her in public. You can feel A Lot of Stuff getting glossed over, but it’s lightweight versus insincere.

This particular documentary does a good job of reinforcing one of those through lines: Diana was, by all accounts, a loving and deeply engaged parent. This is a warm- hearted look at a couple of boys who are now men and who have never gotten over the untimely and sudden loss of one of their parents because, generally speaking, you don’t get over that. It’s… not typical, at least it wasn’t, for the British royal family to expose much about their private lives or their feelings (Charles and Diana’s incredibly public divorce changed that a bit), and William and Harry are restrained and circumspect in their remembrance of their mother.