Jack Durden Fight Club Movie Analysis Explained (Are Bob, Marla and Project Mayhem Real?)Marla and Tyler Dress Alike. One of the first clues that Marla is not real is her likeness to Tyler. Fincher offers us clever, subtle hints that Tyler and Marla are the same person as Jack. One of the most obvious signs are the clothing that Marla and Tyler wear. Tyler’s hair is styled and worn almost identical to Marla’s throughout most of the film. Marla and Tyler are both seen wearing a similar faux fur coat, wearing sunglasses, almost identical rings and they are seen smoking in virtually every scene in the film.

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Even the framing of the shots is nearly identical when they are shown wearing similar clothes as well as the same facial expressions. Marla and Jack (Edward Norton) Dress Alike. This is even more telling than Marla’s likeness to Tyler, but slightly more symbolic. Jack (the narrator, played by Edward Norton) is seen gradually looking more like Marla up until the final scene where we see the silhouettes of the two standing together, holding hands. From the back, it is virtually impossible to tell who is who.

Note how Jack’s long coat and lack of pants have made it seem as if he is wearing a dress, a near perfect mirror image of Marla as they watch the 1. Watch Online Watch The Oblong Box Full Movie Online Film. Marla Has No Reflection, Neither Does Tyler.

Marla and Tyler do not have reflections, because they do not exist. Unless Jack is with Marla (or Tyler) their reflection or image will not appear.

This is because this is the only time Marla is “real” to the narrator. We can see a great example of this in the scene when Tyler is saving Marla from suicide and goes to her hotel to save her. On their way down the hallway they walk directly by a convex mirror.

When they both walk by, neither of them has a reflection. The mirror is facing the camera and should show the reflection of the two walking by, but the only reflections we see are of the paramedics running past Marla and Tyler in the same exact spot where they had been walking. We know for a fact that Jack’s imagined alternate personalities have no objective “image” in the real world.

This is clearly the case in the final scene of the movie where Jack is fighting Tyler in the parking garage. The film cuts to the security cameras in the parking garage (which Jack never saw, just like he never saw the scene where Tyler saves Marla) and we can see that Tyler is not visible, since he does not exist. The reason we see that Tyler and Marla have reflections in other scenes (e. Jack is checking Marla for breast cancer or when Tyler is looking in the bathroom mirror) is because at those points Jack was acting his himself observing the alternate personality as a separate person. In the scene where Tyler goes to save Marla, Jack is supposedly not there, meaning Tyler and Marla are not actually being observed (except by us). We are being told to “imagine” what it would be like to see Tyler and Marla escape the hotel and in doing so the illusion of Marla and Tyler’s existence begins to disintegrate. We are not watching Tyler save Marla in this scene, we are watching Jack leave the hotel completely alone, yelling at the paramedics franticly about how Marla is infectious human waste (hence the use of the 3rd person when Marla is yelling at the paramedics.

Check the 3 slides above for proof or go to 5. Any 3rd person view will show they have no reflection (which is why we don’t see it here, Jack is just telling us to imagine it – so we see them).

This is just like at the end of the movie where we see the security footage from the garage. We see it is just Jack fighting himself alone, because Jack did not see the footage, we are just supposed to be imagining seeing it. The blue arrow in the first slide is showing the reflection in the convex mirror as Tyler approaches it reflecting the image of the metal box/cables on the wall. In the second slide you can see Marla and Tyler coming around the corner, directly in the line of the view of the mirror – and all we see is the reflection of the box on the opposite wall (even though the mirror is pointed TOWARDS them). In the 3rd screenshot they still have no reflection even though the paramedics, who are now behind them, have a reflection.

Marla Takes Over Jack In the Laundromat. In the laundromat scene we watch Marla take control over Jack, becoming his primary alternate personality. Marla opens 2 Speed Queen brand dryers and takes out multiple pairs of men’s blue jeans. She then walks to the vintage clothing store and sells them. This all takes place while Jack is negotiating with her about sharing the support groups. This marks the point in the movie where Jack is “becoming” Marla. If Jack is Marla then this means he is selling his own pants to the thrift store and figuratively surrendering his masculinity.

Consider this: What are the odds that two dryers right next to each other would contain only men’s blue jeans and not some other clothing? How did Marla know those clothes were in there?

Is there any other article of clothing that is more representative of Western “masculinity”? It is obviously a deliberate metaphor for Jack’s masculinity being hijacked by Marla, his alter- ego. Later in the film we see Marla wearing a pink bridesmaid dress she claims she “got at a thrift store.” What if Jack, acting as Marla, bought this dress at the same time he sold his own jeans?

This would make perfect sense since Marla is seen selling her clothes at a vintage consignment store, which is for all intents and purposes the same exact thing as a thrift store. In fact, upon reading the script, we see that the vintage clothing store is literally labeled as “thrift store”.

Marla is likely hinting at Jack being the true owner of the dress when she says to Jack, “you can borrow it sometime,” since she knows it is actually his. Everything points to this scene representing the rapid change from Jack into Marla (Speed Queen…get it?) or at the very least the psychological transition of Jack into someone whose alternate personality is primarily Marla. Marla even physically grabs Jack by the testicles right when he asks, “You’re selling clothes?” to which Marla replies, “Yes, I’m selling some clothes” and releases her grip on him and resumes her transaction. The Speed Queen dryers, only removing men’s blue jeans, selling them in front of Jack and Marla’s later admission that she got the pink dress at a thriftstore are all very obvious signs this is what is taking place. Fincher did not accidentally create this sequence, it was very carefully planned. If the idea of a cross dressing Jack is hard to believe for some reason, just think about Jack’s relationship to Tyler.

Everything we saw Tyler do, Jack was actually doing or imagining himself watching. It is only in the film’s narrative that Jack shows us a flashback where for a few spliced- in frames Jack IS Tyler.

If you accept that this is a fact of the film’s narrative, then it is completely logical that Marla is just another, yet unrealized, figment of his imagination he is living through. This ties in heavily with my timeline theory.

At the end of the film we watch Jack run around frantically, without pants, after he has decided he wants Marla instead of Tyler and Project Mayhem. He has abandoned his masculinity entirely and is either accepting his emasculated self or is literally becoming a woman, depending on how you interpret the film. This culminates in the final scene where we see the mirror image of Marla and Jack holding hands .